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Iago's Brilliance

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... Shakespeare knows how interesting Iago is. Iago is captivatingly charming, despite his evil ways. And this magnetism is besides Iago. Iago owns his part, and no doubt owns the stage when Othello is performed. only makes sense that Shakespeare would focus his dialogue on Iago, and let Iago speak more than Othello - it is Iago's cannot be denied, it is mistaken to cast blame entirely on Iago. Iago is evil but he is also smart. In a sense, Iago is of Othello can be contrasted to Iago's own failings, which are quite different. Iago may despise goodness (which is ...



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Sources list for IAGO'S BRILLIANCE:

W. H. Auden on Iago, Accessed online on 11^th May 2003: http://www.sparrowsp.addr.co m/articles/Auden_on_Iago.htm W. H. Auden on Iago, Accessed online on 11^th May 2003: http://www.sparrowsp.addr.co m/articles/Auden_on_Iago.htm
Iago in "Othello"

Thigpen, David. "The Brief Brilliance of Buddy Holly." Chicago Tribune. 6 October 1996: 6.
Musician Buddy Holly

Roberts, Kimberly C. "Sidney Poitier's brilliance revealed." The Philadelphia Tribune; 2/1/2000; pp.
Sidney Poitier

Rand, Frank Prentice. "The Over Garrulous Iago." Shakespeare Quarterly. 1.3 (1950 Summer): 155-161
An Apology For Iago

Rosenberg, Marvin. "In Defense of Iago." Shakespeare Quarterly. 6.2 (1955 Spring) 145-158
An Apology For Iago

 

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